Jocelyn Janon is a photographer and creative researcher based in Aotearoa/New Zealand. His work blends visual storytelling, archival inquiry, and speculative methodologies to explore how images shape memory, identity, and collective imagination.

Black and white portrait of a man with a shaved head, intense gaze, and serious expression, wearing a dark shirt.

About me

Photo: Paul Alsop.


Photography as Human Connection

Photography is my way of connecting with people and expressing a deep appreciation for humanity. I thrive on collaborating with artists, misfits, and those who challenge convention, fostering creativity through shared inquiry and dialogue.

Speculative Constraint‑Based Practice

My practice is shaped by the Speculative Constraint-Based Design Method, which merges structured limitations, speculative narratives, and iterative research to unlock new creative possibilities. Voluntary artistic constraints serve as generative frameworks that push boundaries rather than restrict them, drawing from OULIPO-inspired methodologies and structured experimentation to shape the evolution of my work.

Cyclical, Research‑Driven Methodology

My methodology follows a cyclical, process-driven approach, where experimentation, reflection, and refinement continuously reshape each project. Archival research, particularly vernacular photography, plays a vital role—not as passive documentation but as an evolving material for reinterpretation. By reframing historical and familial artefacts, I explore new layers of memory, identity, and cultural resonance.

Archival Reinterpretation and Vernacular Inquiry

I work with archives as sites of speculation. Found images, personal collections, and vernacular photographs become catalysts for reimagining narratives, questioning authorship, and examining how visual histories are constructed. This research-driven approach allows me to navigate the tension between fact and imagination.

Collective Authorship and Ethical Collaboration

Collaboration and interdependence are central to my practice. Rather than imposing a singular perspective, I cultivate collective authorship, ensuring that subjects, contributors, and audiences actively shape the work through participation and dialogue. This ethical engagement fosters non-hierarchical creation, reinforcing representation as an interactive, evolving process.

Collective Authorship and Ethical Collaboration

Through speculative visual storytelling, iterative photographic sequences, and process-driven exhibitions, my work foregrounds research and adaptation over static conclusions. By blending structured constraints with speculative play, I challenge conventional notions of authorship, truth, and artistic agency, creating a dynamic framework for inquiry-driven creativity.

As a Tauiwi immigrant artist and researcher, I am particularly committed to exploring the history, changes, and evolution of New Zealand society.

Based in Tāmaki Makaurau/Auckland, Aotearoa/New Zealand, I use he/him pronouns.

I welcome collaborations, commissions, research partnerships, and conversations.
If you’d like to work together or discuss a project, feel free to get in touch.


Contact me

Awards

New Zealand photographer of the year.

2022| Runner-up society and culture.
2011| Runner-up society and culture.
2012| Runner-up society and culture. Highly commended.

London International Creative Competition.

2021| Official selection for ‘Tinaku’.

PX3 Prix de la photograhie in Paris.

2022| Winner (bronze) for ‘Tinaku’.
2021| Honorable mention for ‘Monuments’.

Head On Photo Awards - Australia.

2022| Semi-finalist in the 2022 Head On Portrait Awards.
Exhibited at the Head On Photo Festival, Sydney, Australia

Monovisions Black & White photography.

2022| HM for my portraits of Elin-Heni.
2021| HM for ‘Patriarchy’.
2020| HM for ‘Monuments’.

Tokyo International Foto Awards.

2022| HM Fine Art - Still Life for ‘Tinaku’.
2020| HM Editorial-Photo Essay for ‘Rear window’.

Lens Culture.

2016| lens culture. street photography awards 2016, top 100 for ‘Rear window’.

Mono Awards.

2022| Placed Top 100 in the People category.

Exhibitions

2023| Auckland festival of photography - resistance [ātete].
Tinaku
Outdoor exhibition.
Freyberg Square, Freyberg Place,
Tamaki Makaurau/Auckland, New Zealand.

2023| the point of incidence.
Collaborative work.
With Amber Liberté.
and Terrease McComb, Liv Hobman.
.theend gallery, Tamaki Makaurau/Auckland, New Zealand.

2022| Head On Award Festival.
Sydney, Australia.

2021| God-House.
Visual collaboration with artist Jahra Wasasala.
Artweek 2021. Light on Te Komititanga.
Te Komititanga, Tamaki Makaurau/Auckland, New Zealand.

2020| Monuments.
Tempo dance festival.
Auckland, New Zealand.

2016| Alter Ego.
New Zealand House, High Commission of New Zealand.
London, UK.

2015| Alter Ego, I is another.
Digital darkroom. Auckland, New Zealand.

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Best Cafe Dunedin, Panasonic New Zealand, Foster Group, New Zealand Geographic, Smith sports shoes, Auckland Arts & Culture, Project Muse, Auckland Arts Festival, Unitec Institute of Technology, Auckland Philharmonia Orchestra, Q Theatre, Tempo Dance Festival, Auckland Arts Festival, Unitec, Media Design School, City Cake Company, Vavavoom Productions, Sophiensaele, Dancebase, URB, Amnesty International, Mt Eden Business Association, Fisheye, Frame, Photograph Chronicle, Stuff, Woman magazine, DANZ, Design Assembly, Center for Ballet and the Arts - New York, Experimental Dance Week, Toi, etc.