My work begins with attention.
To people, to the natural world, and to the small gestures.

Jocelyn
Janon

Tāmaki Makaurau / Auckland · Available for commissions & collaboration

|> Photographer, researcher and lecturer working at the intersection of speculative image-making, archival inquiry, and collective authorship.

Selected Photography

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|> RESEARCH PROJECT

LUCENT

Speculative reconstruction of archival photographs through light and material intervention.
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|> INTERDEPENDENT WORK

GOD-HOUSE

Collaboration, part of Jahra Wasasala's dance embodiment of 'GOD-HOUSE', which premiered live in the Metropolitan Museum of Art.
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|> FIELD WORK

VISUAL STORIES

Images, taking shape in the small gap between looking and feeling.
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|> PHOTOGRAPHY — AUCKLAND FESTIVAL OF PHOTOGRAPHY

TINAKU

The sprouting kūmara as a metaphor for the revitalisation of Te Ao Māori and Te Reo Māori. resistance [ātete] Auckland Festival of Photography.
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|> PRACTICE-BASED RESEARCH

TAUIWI

The series draws on autoethnography, using my own experience of immigration and belonging.
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My practice treats photography as an evolving and investigative process.
I work with fictionalism, archival research, and embodied methods to unsettle dominant visual narratives and open new ways of seeing.

Research

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|> EMBODIED METHODOLOGY

Thinking with your feet

Fictionalism, embodied practice, and the fluidity of photography.

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|> INTERDEPENDENCE

Interdependence as a method and a process

Interdependence forms the foundation of collaboration, shaping both the process and the final images.

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|> EPISTEMOLOGY OF IMAGES

Confusion is gorgeous

Confusion, often perceived as a cognitive obstacle, is a state of disorientation, uncertainty, or lack of immediate comprehension.

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|> VISUAL RESEARCH

Rear Window

Artistic constraint in action.

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Recent writing/blog

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A place where I share small thoughts, works‑in‑progress, and things I’m noticing along the way.