I work with the nude as a way to meet the body without decoration, performance, or disguise.
The process is simple and always the same: a quiet room, an honest conversation, and a shared commitment to presence rather than perfection.
I am not interested in ideal bodies. I am interested in real ones.
By stripping away the familiar gestures of posing and the visual habits that soften or flatter, the image becomes a record of weight, history, and lived experience rather than an aspiration.
What remains is sometimes uncomfortable. It should be.
the violence of truth