Rear window: artistic constraint in action.

This project is a simple but revealing demonstration of artistic constraint in action.

By committing myself to a vintage, single‑focal‑length lens from the 1960s, I adopted an OUxPO‑inspired framework that transformed an ordinary situation into a site of creative inquiry.

The lens’s fixed perspective and distinctive optical character imposed a deliberate limitation, yet it proved to be an ideal match for the subject before me. Instead of seeking variety, I attended closely to what the lens allowed me to see, shifting my focus from choice to observation, from abundance to precision.

Working within this constraint made every detail matter.

The project shows how even the most modest limitation can generate unexpected possibilities, encouraging a slower, more attentive way of seeing.
It is a reminder that constraint is not a restriction but a method: one that reveals richness in the everyday and turns a simple exercise into a genuine creative encounter.

Read More

Jocelyn Janon

Photography is for me a means of meeting people and expressing my love for humans.

I am particularly interested in the talented ones.

The artists, the misfits, the “different” ones.

The round pegs in square holes.

In return, I have been lucky to photograph strong people who shared their weaknesses and beauty with me.

In exchange, I am creating safe spaces to produce images with deep feelings and meaning.

I am a French-born New Zealander [he/him/his] based in Auckland, NZ.

http://www.jocelynjanon.com
Previous
Previous

Denis Roche, scientific fictionalism and photography.

Next
Next

The zoo: A mise-en-scène.